Objectivity has a history, and it is full of surprises.
In Objectivity, Lorraine Daston and Peter Galison chart the emergence of objectivity in the mid-nineteenth-century sciences -- and show how the concept differs from alternatives, truth-to-natu.
Four versions of "seeing" scientifically are succinctly summarized (pp. 412-413): 18th century (classical) "four-eyed" sight -- truth-to-nature depiction; 19th century "blind" sight of mechanical objectivity; 20th century "physiognomic" sight of "trained" judgment; where the first three give way to "haptic" sight by means of image-as-tool, inseparable from the scientific-self, made visible to the acolyte: --subject to simulated manipulations --machine-generated virtual artifact, expertly extracted from an artificial reality -- a model --altered in aspect, hue, or scale to make it artistically pleasing --no longer held to be a copy --the True and Beautiful necessarily converging for the sake of presentation -- not representation --deliberately enhanced to clarify, persuade, and/or please.
This is the best book I have read in a decade. It is breathtaking in its scope and its depth of detail.
This really should get more stars, but I keep thinking that people could save themselves about 350 pages and read the journal article that the authors originally wrote: "The Image of Objectivity." That is really a good article regarding scientific atlases and the differing concepts of what a scientific image should be (should it be normed to conform to the "ideal" specimen?
Lorraine Daston (born June 9, 1951, East Lansing, Michigan)[1] is an American historian of science. Executive director of the Max Planck Institute for the History of Science (MPIWG) in Berlin, and visiting professor in the Committee on Social Thought at the University of Chicago, she is considered an authority on Early Modern European scientific and intellectual history. In 1993, she was named a fellow of the American Academy of Arts and Sciences....
Lorraine B. Diehl
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Record your fiercest thoughts and feelings in this strokable leopard-print journal.
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