Inside Story

Inside Story

by Martin Amis
4/5
(34 votes)

This extraordinary novel gives the reader the heart-to-heart testimony of one of our finest writers - a wonder of literary invention and a boisterous modern classic *Shortlisted for the National Book Critics Circle Award for Fiction* His most intimate and epic work to date, Inside Story is the unseen portrait of Martin Amis' extraordinary life, as a man and a writer.

This novel had its birth in a death - that of the author's closest friend, Christopher Hitchens.

We also encounter the vibrant characters who have helped define Martin Amis, from his father Kingsley, to his hero Saul Bellow, from Philip Larkin to Iris Murdoch and Elizabeth Jane Howard, and to the person who captivated his twenties, the alluringly amoral Phoebe Phelps.

What begins as a thrilling tale of romantic entanglements, family and friendship, evolves into a tender, witty exploration of the hardest questions: how to live, how to grieve, and how to die? In his search for answers, Amis surveys the great horrors of the twentieth century, and the still unfolding impact of the 9/11 attacks on the twenty-first - and what all this has taught him about how to be a writer.

The result is one of Amis' greatest achievements: a love letter to life that is at once exuberant, meditative, heartbreaking and ebullient, to be savoured and cherished for many years to come.

'The Mick Jagger of literature.

Amis is the most dazzling prose stylist in post-war British fiction.

' Daily Telegraph.

Martin Amis

About Martin Amis

Martin Amis is an English novelist, essayist, and short story writer. His works include the novels Money, London Fields and The Information.The Guardian writes that "all his critics have noted what Kingsley Amis [his father] complained of as a 'terrible compulsive vividness in his style... that constant demonstrating of his command of English'; and it's true that the Amis-ness of Amis will be recognisable in any piece before he reaches his first full stop."Amis's raw material is what he sees as the absurdity of the postmodern condition with its grotesque caricatures. He has thus sometimes been portrayed as the undisputed master of what the New York Times has called "the new unpleasantness."...

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